Production Music

Production music refers to music which is owned by production music libraries.

Usually the music is composed specifically for use in Film, Radio, TV, multimedia plus Business.

Since these libraries generally own all of the rights in the music they can licence it right without the need to gain permission from composers or even writers. It can therefore be licensed right away with a clear price to the end user.

The benefit of a production music library is the fact that it can cater to a wide variety of musical styles as well as themes with a lot of libraries holding ten of a huge number of tracks and cuts.

Production music gives producers and directors a platform from which to choose audio which is ideal for their brief or project. Libraries often have tracks relevant to current musical genres, styles, charts and culture. Many libraries are going to hold music across the entire spectrum of music history as well as include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary themes or collections created for business or media applications.

The convenience factor means that anybody who needs production library music can select from a massive selection of styles, access the audio from one place and find out exactly how much it will cost. Most libraries have Rate Cards so producers can budget for the expenses of a project in advance.

Their can also be the peace of mind that a great many libraries will usually have a piece of music perfect for things of course, if not will enable you to to find some. Many will additionally offer custom music production services.

History of Production Music

Typical music for production has been in existence since the days of silent cinema. In those days the audio was supplied in form which is written and also sent over to small bands and orchestras who’d carry out the good live in time with the film.

Since then many production music companies have gathered audio and sound libraries. These include Boozy & Hawkes, Cavendish, Sonoton, Extreme Music, EMI, Sony BMG, KPM, de Wolfe and Many others.

Traditionally, music libraries sent out the music collections of theirs on CD. These days it is a lot more prone to be used via the internet, file downloading, hard drive or CD’s, CD Rom, DVD-Rom

Production Music Online

The Internet has enabled music for production to be distributed online via downloading. It’s also given a platform for corporations which are new and libraries to set up independently.

There are actually a lot of production music libraries online. The quality and price can vary enormously as can the actual license terms or even use of the music. However production music downloads now appear to be the preferred method for a lot of media professionals around the world.

Royalty Free Music

Royalty free music varies more or less to the attributes of production music.

Production music has often been licensed on a pay-per-use basis. That is you pay for every use of the music – If you wish to work with music on a television show then you license the rights for that. If you would like to in addition use that music on an interactive CD-Rom then you would have to license those rights.

Royalty free music alternatively offers customers a way of buying a CD of the music that can then be used as often times as you like without any further payments or even fees.

However the Internet and other issues has meant that lots of royalty free music libraries now operate similar to traditional production music libraries and the other way round.

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This’s most likely caused by the development of independent music libraries who can generate their very own license and finance models according to their own personal marketplace requirements.

Sync Fees and Dub Fees

A fee for the licensing of their music is charged by a Production music company. This’s frequently referred to a’ Synchronization Fee’ or’ Dub Fee’. This is among the main income streams for music libraries.

Performing Rights Organisations

Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, publishers and artists.

Performance royalties are generated when music is broadcast on Radio or TV or played in public places like other business spaces and restaurants.

Music that is publicly performed or broadcast has to be licensed. For instance a broadcaster like the SKY or BBC has to pay to broadcast music as do restaurants, shops and users of music on hold systems and others.

These licenses are issued by PRO’s to music users whenever music is broadcast to the public. The revenues from these licenses will then be gathered up and split up between all of the members of that particular PRO.

Most countries have their very own PRO which includes PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have much more than one.

See the FULL LIST of Performing Rights Organisations

Music libraries are generally also music publishers. Their musical works are published via a PRO and public performance or any broadcast of that music will accrue performance royalties.

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